UNDER THE SURFACE
May 26, 2023 - June 3, 2023
Linked by an investigation of interiority and veiling, the works in this exhibition draw us into the psychological terrains we are surrounded by and ask us to take a closer look.
Working with a variety of processes including painting, ceramic and print, this exhibition explores elements of interiority. The materials, patterns, structures, and objects our environments hold, serve as reflections of our cultural unconscious. Ranging from: exploring embodiment using domestic space as a point of departure, to the unpacking of familial history, to performative identity in the age of digital presentation, the curation of objects as an approach to embodiment; and delicate records of familial labor and generational agency. These elements become points of entry to approach and investigate the terrains we find ourselves navigating in our daily lives.
As Hyndman puts it: “I think about the curtains in a way that one might think about color, as a type of veil, frame, or screen that helps present an experience while simultaneously acknowledging its artifice or feint—the filtering or obfuscation of realities lying behind. One can also consider painting, generally, in these terms, and that maybe one of the reasons we so readily conceive of paint as color, is our awareness of its role in creating veils that present and hide simultaneously.” (2023)
Drawing us into their worlds these artists each use their own language of signifiers to invite us to peel back the layers of the environments we find ourselves in.
ARTISTS
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Chris Hyndman is a Canadian-born painter who lives and works in Chicago. His work has been featured in New American Paintings, Manifest’s International Painting Annual, and exhibitions at the Institute for the Humanities at the University of Michigan, Susanne Hilberry Gallery, Wasserman Projects, and IBIS Contemporary Art.
Hyndman’s paintings in Under the Surface are based on images of curtains, suggesting shallow stage-like spaces in front of which viewers might pose and perform as well as stand and look. “I think about the curtains in a way that one might think about color, as a type of veil, frame, or screen that helps present an experience while simultaneously acknowledging its artifice or feint—the filtering or obfuscation of realities lying behind. One can also consider painting, generally, in these terms, and that maybe one of the reasons we so readily conceive of paint as color, is our awareness of its role in creating veils that present and hide simultaneously.”
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Breonna Chyann Phillips creates graphic motifs that conceptualize ideas of nostalgia, home and social issues. Growing up in Detroit, Michigan she uses her ideas of home to inspire the imagery in her work and fabrics. Working as seamstress before attending College for Creative Studies motivated her choice in a career in Fiber and Textiles. While working with the Community Arts Partnership with CCS teaching in the same after school art programs she participated in as a child, she felt a driving force to address challenges faced with Detroit public school systems and the environment around her which is a common theme in her work. After traveling to Zimbabwe and Chonoi University with College for Creative Studies to learn traditional methods of batik and dying, she uses these techniques to touch on a deeper aspect of home, foundation and Identity. Using her diverse range of skills, she has been able to work with local brands like Detroit VS Everybody in developing merchandise and now works as Studio Assistant for Shayla Johnson Owner of Scarlett Crane a large Screen printing and Textiles studio in Detroit.
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Lorena Cruz Santiago is an artist working across photography, video, and installation informed and inspired by her family’s indigenous origins in Oaxaca, Mexico. Her work covers topics of migration, assimilation, labor, and more recently, collaborative image-making with her parents as a form of indigenous autonomy. Cruz Santiago holds a BFA in Photography from Sonoma State University (2016) and an MFA in Photography from Cranbrook Academy of Art (2019).
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Virginia Rose Torrence co-owns, operates and teaches at Ceramics School, a community ceramics studio and Artist Residency in Hamtramck MI. Virginia’s art practice is sometimes making pottery, and sometimes making sculptures. She received her BFA in Craft/Ceramics from the College for Creative Studies (Detroit, MI) in 2013 and her MFA in Ceramics from Alfred University (Alfred, NY) in 2016. Virginia lives and makes art in Hamtramck, MI with her partner Henry Crissman, two dogs, two cats and a parakeet.
INSTALL IMAGES
SELECTED ARTWORKS
Virginia Rose Torrence
Untitled
ceramic tile, found and made ceramics, mortar, grout, wood
27" x 40" x 5”
Breonna Phillips
eat off the floor
screen print on batik & dyed fabric
36" x 36"
Jaime Pattison
I remember when I realized that it was not only mine
oil on canvas
36" x 41"
Breonna Phillips
I'll be With You Always
Screen print on batik & dyed fabric
61" x 38"
Jaime Pattison
Here we find ourselves
Acrylic and oil on panel
8 x 10
Jaime Pattison
undisturbed, I wait,
Acrylic and oil on panel
8” x 11.5”
Breonna Phillips
Take me with you
Varying woods, Various metal, Wrapped in dyed screen printed cotton
Breonna Phillips
Take me with you
Varying woods, Various metal, Wrapped in dyed screen printed cotton
Lorena Cruz Santiago
11:55 AM
Cyanotype on paper
30" x 44"
Lorena Cruz Santiago
10:00 AM
Cyanotype on paper
30" x 44"
Virginia Rose Torrence
Untitled
ceramic tile, found and made ceramics, mortar, grout, wood
33" x 38" x 5"
Chris Hyndman
Curtain 7
acrylic and tissue paper on canvas
72” x 48”
Chris Hyndman
Curtain 5
acrylic and tissue paper on canvas
72” x 48”
Virginia Rose Torrence
Untitled
ceramic tile, found and made ceramics, mortar, grout, wood
33" x 36" x 5"